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1991年,苏联文学在走过了它70余年的历程后,降下了帷幕。历史总是给人留下太多的感伤。70年,在人类历史长河中不过是短暂的一瞬;70年,对于一代一代浸润着苏联文学的养分成长起来的中国读者、作家、评论家来说,又实在包含了太多的沉重的话题。就苏联戏剧来说,当《风暴》(1925)、《柳鲍芙·雅洛娃娅》(1925)、《决裂》(1927)、《带枪的人》(1937)等充满革命英雄主义激情的剧作揭开苏联戏剧的序幕,到80年代在新观念、新思维激励下的政论剧的勃兴,苏联戏剧,从来就没有缺少过道德
In 1991, Soviet literature came to an end after more than 70 years of its history. History always leaves too much sentimentality. For 70 years, it has been only a brief moment in the history of mankind. For 70 years, there are too many heavy topics for Chinese readers, writers and critics from generation to generation who have infused the nutrients of Soviet literature. In the case of the Soviet drama, there was a passion filled with revolutionary heroism such as Storm (1925), Willow Ballarat (1925), Breakthrough (1927), The Gunners (1937) Drama unveiled the prelude to the Soviet drama, to the new ideas in the 1980s inspired by the new ideas of the rise of political drama, the Soviet drama, there has never been a lack of moral