寻门而入 破门而出——记著名美术史论家、评论家.画家禾子先生

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禾子(李来源),四川西充人,1933年生,美术史论家、评论家、画家,现任四川美术学院教授、中国美术家协会会员、四川美术学院老教授协会秘书长、重庆美术家协会荣誉理事,重庆磐溪画院、涂山书画院副院长。禾子1951年考入成都艺专,1956年毕业于四川美术学院,同年秋,入北京中央美术学院攻读中国美术史研究生。在受业期中,他曾去过云岗、龙门、麦积山、敦煌、天龙山、人足等佛教美术胜地作过考察,有幸看过全国各大博物院(馆)珍藏的古代著名书画、碑帖及重点文化遗址、古建筑、园林、墓葬。几十年来,他在教学之余,曾在国内外发表美术评论、美术考古、美术史研究、艺术评论数百篇,曾与他人合作编著出版《中国古典画论发展史实》,获得了学术界的好评,在社会上具有一定的影响。在花鸟画创作上,他立足传统,主张“能进”、“能出”,对清末民初的吴昌硕、赵之谦尤属崇拜,在吸取先贤技法的基础上,努力形成自我的艺术观。默默无闻耕耘,想必自有云天。 He Zi (Li Yuanyuan), Sichuan Xicai Ren, born in 1933, an art historian, critic and painter. Currently he is a professor at Sichuan Fine Arts Institute, a member of Chinese Artists Association, a secretary general of the Association of Old Professors of Sichuan Academy of Fine Arts, Honorary member, Chongqing Panxi Painting Academy, Tu Shan Painting and Calligraphy Institute vice president. He Zi was admitted to Chengdu Art College in 1951 and graduated from Sichuan Academy of Fine Arts in 1956. In the autumn of the same year, he went to Beijing Central Academy of Fine Arts to pursue a postgraduate study of Chinese art history. During the period of his career, he has visited Buddhist art resorts such as Yungang, Longmen, Maijishan, Dunhuang, Tianlongshan and Renzizu and has been fortunate enough to read ancient famous paintings and calligraphies and inscriptions collected by various major museums in the country Key cultural sites, ancient buildings, gardens, tombs. For decades, he has published art criticism, art archeology, art history research, and art criticism at home and abroad for hundreds of years. He has co-edited and published the “Historical Facts about the Development of Chinese Classical Painting Theory” The praise, in the community have a certain impact. In the creation of flowers and birds painting, he based his tradition on the idea of ​​“being able to enter” and “being able to come out”. Wu Changshuo and Zhao Zhiqian worship at the end of the Qing Dynasty and the beginning of the Republic of China, striving to form their own artistic concept on the basis of drawing on the techniques of forerunners. Silent work, presumably own cloud days.
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