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本文对唐宋时期都市文学风景词的发展线索作了梳理与评介,认为词虽然产生于都市,但真正开始写都市风景的是花间词人。北宋柳永开创了都市文学风景词的新局面,在其笔下,都市文学风景词大量出现。周邦彦继承了柳永的传统而加以变化,其描写都市风光之作风格趋于雅化,词境趋于典丽缜密。南宋豪放派盟主辛弃疾为都市文学风景词注入新的时代因素,异军突起。姜夔融豪、婉二派之长,其都市文学风景词呈现清刚的风格。吴文英是宋代都市文学风景词的结穴者,其词色彩更艳丽,描绘更细密,章法结构更回环曲折,而亡国象征意义也更突出和明显。
This paper reviews the clues of the development of the landscape literary words in the Tang and Song dynasties, and concludes that although the words originated in the cities, the words who actually started to write the urban landscape are the Ci-poets. Liu Yong in the Northern Song Dynasty pioneered the new situation of metropolitan literary landscapes. Zhou Bangyan inherited the tradition of Liu Yong and change, the description of the style of urban style tends to elegant, the dictionary tends to be elegant and meticulous. Xin Song Ji, a bold leader of the Southern Song Dynasty, injected a new era factor into the metropolis literary scenery word. Jiang 夔 Rong Hao, two gentlemen of the long, the urban literary landscapes appear Qinggang style. Wu Wenying is the knotty point of the landscape literary words of the Song Dynasty. Its color is more colorful, the description is more detailed, the structure of the chapter is more twists and turns, and the symbolic significance of the fallen country is more prominent and obvious.