“脱套第五”开宗明义的告诉我们,“戏场恶套,情事多端,不能枚纪”。这许多恶套俗法的存在,降低了在剧本选择,舞台设计等主要方面做的非常到位的剧目的整体水平。对演员的服装搭配;唱词、宾白的语气运用;举手投足的细微表现等细节工作的忽视,往往使我们的心血功亏一篑。而如何在戏曲舞台表演中避免在“细节”方面出错,清代的李渔已为我们做出了很好的表率。 “Unfold the fifth ” To prescribe to tell us, “Theater clumsy, the situation is multifaceted, can not be a century ”. The existence of many clumsy practices has reduced the overall level of play in the major aspects of script selection, stage design, and more. On the actor’s clothing with; lyrics, guest white tone of use; subtle gestures and other details of the work of neglect, often make our efforts plummeted. How to avoid mistakes in the “details ” in the stage performances of the opera, Li Yu in the Qing Dynasty has made a very good example for us.