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“情动于中而形于言,言之不足而嗟叹之,嗟叹之不足顾永歌之。”这句话的意思是说:人首先学会了说话,为了表达更加深厚的情感而学会了唱歌。随着世界多元文化的飞速发展,音乐文化也随之蓬勃发展。从古至今,我国的音乐发展不断借鉴西方优秀的音乐教育模式和声乐理念,产生了不计其数的著名音乐家。在世界多元文化的趋使下,中国声乐文化不甘落后,逐渐登上世界的舞台,并占得一席之地,特别是国粹——京剧,更被西方所推崇。青衣旦是中国戏曲中旦行的一种,主要是以唱功为主,动作幅度小,行动比较稳重。“青衣”唱法是在京剧舞台,乃至中国戏曲舞台中经久不衰,是中国声乐艺术的精华。近年来,我国越来越重视丰富多彩的音乐文化,尤其是声乐艺术领域,也有越来越多的国内外学者研究“青衣”唱法。与此同时,我们也承认西方声乐艺术在音乐史上的地位,典型代表是“美声”唱法,它在我国音乐发展史上也有着重大的影响。京剧“青衣”唱法和“美声”女高音唱法都是世界音乐史上的经典唱法。本文运用比较分析的方法,将京剧“青衣”唱法和“美声”女高音唱法进行对比,探究出两种唱法的精髓所在,为我国音乐发展提供帮助。
“Emotion in the form of words in the language, lack of words and sigh, praising the inadequacy of Gu Yongge. ” The meaning of this sentence is: people first learned to speak, in order to express more deep feelings and learned to sing . With the rapid development of multiculturalism in the world, musical culture has also flourished. Since ancient times, the development of music in our country draws on the outstanding western music education mode and vocal concept constantly, resulting in countless famous musicians. Under the multi-cultural trend of the world, Chinese vocal culture is not far behind. It has gradually taken the stage of the world and gained a place, especially the quintessence of Peking Opera. It is even admired by the West. Tsing Yi Dan is a type of Chinese drama in the classics, mainly based on vocals, the scope of action is small, the action is more stable. “Tsing Yi ” Singing is enduring in the Peking Opera stage, and even the Chinese drama stage, is the essence of Chinese vocal art. In recent years, more and more attention has been paid to the rich and colorful music culture in our country, especially in the field of vocal music. More and more scholars both at home and abroad have been studying “Tsing Yi”. At the same time, we also recognize the position of western vocal art in the history of music. The typical representative is the “vocal” singing method, which also has a significant influence on the development of music in our country. Peking Opera “Tsing Yi ” singing method and “beautiful sound ” soprano singing method is the classical singing method in the world music history. This paper uses the comparative analysis method to compare the singing style of Peking opera “Tsing Yi” and “Soprano” soprano to explore the quintessence of the two kinds of singing and provide help for the development of Chinese music.