吴盼尔雅的短篇小说《娘的儿子叫成成》为读者讲述了发生在两代人身上不同的家庭故事,也是一篇以童年为母体的文学作品。以童年为书写对象的童年小说常常包含着“过去—现在”两种时态、“成人一儿童”两种视角,[1]《娘的儿子叫成成》也具有同样的风格特征。童年的莽撞不但使李大成失去了自己的孪生哥哥,也令自己本已破碎的家庭陷入了漫长和晦暗的苦痛当中。直到主人公自己娶妻生子,这个长久埋在心中的结才终于在亲情和爱的帮助下得到化解。本文从被误解遮蔽的爱、寻回爱的努力和对爱的领悟三个方面探讨小说对亲情之爱的诠释。 Wu Pan-ya’s short story, “Mother’s Son Calls for Success,” tells the story of a family story that has taken place in two generations and is also a literary work based on childhood. Childhood fictional childhood novel often contains two kinds of tense such as “past-present”, “adult-child”, [1] “mother’s son called Cheng Cheng” also has the same style feature. The recklessness of childhood not only caused Li Dacheng to lose his twin brother, but also plunged his own broken family into a long and gloomy pain. Until the protagonist married his own son and child, this long buried in the heart of the knot finally with the help of affection and love to be resolved. This article explores the novel’s interpretation of the love of family from three aspects: love which is misunderstood, search for love and understanding of love.