过去,我们讲工农商学兵几大领域,每个领域里都有各自拔尖的诗人,这些诗人以自己熟悉的生活、工作为描摹对象和诗歌蓝本,写出了行业特点,形成了本行业脍炙人口的诗歌。然而,在我看来近年真正反映一线生产劳动的诗歌越来越少。因此,当我打开李晓泉诗集《荒原恋歌》的时候,有一种久违的感觉,眼前不禁为之一亮。与上世纪六七十年代相比,诗歌回归到了理性,过去那种大哄大嗡、口号式的工业 In the past, we talked about several major areas of worker-peasant businesswomen. Each area has its own top-grade poet who, with his familiar life and work as the object and the blueprint of his poetry, wrote about the characteristics of the industry and formed the industry’s most popular Poetry However, in my opinion, there have been fewer and fewer poems that truly reflect the production of first-line labor in recent years. Therefore, when I opened Li Xiaocheng’s poem “Wasteland Love Songs,” there was a long absence feeling that could not help but shine in front of me. Compared with the sixties and seventies of last century, poetry returned to the rational, the past that big buzz, slogan industry