在前一讲《横看成岭侧成峰》一文中,讲了由于拍摄方向的不同,使自然景物产生了千差万别的视觉形象。这里着重谈下由于拍摄距离的变化,而形成画面的差异。现代人们的审美视野在向两极开拓,一是宏观,二是微观。也就是说人们不但喜欢看大场面、大远景、航空拍摄、宇宙摄影,而且爱看那些局部的近拍及显微摄影的特写镜头,喜欢从一滴水看大海,对事物作一些更具体、更细致的了解。要精通宏观和微观的拍摄,首先要熟悉和掌握拍摄距离的运用。记得一位摄影者去黄山,在“飞来石”边拍了许多照片,却没一 In the previous talk, “Cross-sectioned into a ridge into a peak,” a text, because of the different direction of shooting, natural landscape produced a vastly different visual image. Here to focus on the changes due to the shooting distance, and the formation of the picture differences. The modern people’s aesthetic horizon opens up to two poles, one is macro and the other is micro. In other words, people not only enjoy watching big scenes, big vistas, aerial photography, cosmic photography, but also love the close-up of those local macro and micro photography. They like to look at the sea from a drop of water and make something more specific about things Detailed understanding. To master the macro and micro shooting, we must first be familiar with and grasp the use of shooting distance. I remember a photographer went to Huangshan, in the “flying stone” took a lot of photos, but no one