雕塑应该是有尊严的。放弃了城市雕塑的尊严还谈什么城市的气质和形象!日前笔者去陕北榆林市的画像石博物馆,出租车司机随口问,“哪儿?是‘牛粪插个鸡毛’的雕塑前的汉画馆么?知道知道,榆林人都知道。”待笔者见到雕塑时便彻底理解了司机的话,原来城市雕塑可以成为反面标志。而这恰恰就是群众对城市雕塑的态度,这也说明目前城市雕塑缺乏艺术形式的问题,尤其西北地区的城市雕塑质量极为不高的现状。首先,城市雕塑是造型艺术,无论怎么发展,也要依赖形体对空间的分割和占有来实现,而这种分割和占有的形式就是雕塑的构成形式。我们在评价或讨论城雕时不应忽略其艺术属性,城市雕塑需要与它所在的空间环境、氛围相吻合、统一。在评价一个雕塑的时候不能过于复杂地去评价它的非主观因素,应该把事情看得简单点,回到艺术发展的原 The sculpture should be dignified. Give up the dignity of urban sculpture also talk about what the city’s temperament and image! Recently, I went to Yulin, Northern Shaanxi Museum of stone portrait, taxi driver casually asked, “where? Know the museum, Yulin know. ”" When the author saw the sculpture thoroughly understand the driver’s words, the original urban sculpture can be a negative sign. This is precisely the attitude of the masses to urban sculpture, which also shows the current lack of urban sculpture in the form of art issues, especially the urban sculpture in the northwest of the very poor quality of the status quo. First of all, urban sculpture is a form of art, no matter how the development, but also rely on the body to the space division and possession to achieve, and this form of segmentation and possession is the form of sculpture. When we evaluate or discuss the city sculpture, we should not neglect its artistic attributes. The urban sculpture needs to be consistent with the space environment and atmosphere in which it is located. When evaluating a sculpture, it can not be overly complicated to evaluate its non-subjective factors. It should be easy to see things back to the original