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莱里·雷曼是十九世纪末到二十世纪初叶德意志杰出的女高音歌唱家,1848年生于乌尔兹伯格,幼年从她父母接受音乐教育。1865年在布拉格参加歌剧《魔笛》的演出。此后,先后在布拉格、但泽、莱比锡和柏林演唱。她最初是唱花腔女高音的,1875年跟随瓦格纳学习,1876年在歌剧《尼伯龙根指环》首次上演时担任主角。同年,柏林歌剧院和她订了个终身合同并被聘为皇家歌唱者,但是,她没有遵守这合同和聘约,而长时间列国外演唱,因而被帝国当局禁止在德意志舞台上演出。这样,她只能在音乐会上出现,并因此使她举行了许多著名的独唱会。后来,禁令解除,她在欧洲各大城市演歌剧,直到1910年才离开舞台。1929年死于柏林。雷曼的表演节目以广泛而著称,仅仅在歌剧方面,她扮演过115个歌剧的175个角色,包括老的、新的、悲剧的、喜剧的。唱过几乎所有著名的圣谭曲与合唱曲,数以百计的艺术歌曲。她的表演,不仅在歌唱技巧上较为完整,对于作品的理解和处理,在著名的歌唱者中间也是非常杰出的。离开舞台之后,她从事声乐教学并教出了许多著名的学生,她写过几本书,包括《自传》、《怎样唱歌》等,以后者最为著名。下面“歌者的生理”是选自《怎样唱歌》中的一章。
Lérim Lehmann was an outstanding soprano of the German era from the late nineteenth to the early twentieth century, and was born in Ulzburg in 1848, receiving musical education from her parents in her infancy. In 1865 in Prague to participate in the opera “magic flute” performance. Since then, he has performed in Prague, Danzig, Leipzig and Berlin. She first sang a soprano, followed Wagner in 1875, and starred in her first performance of the opera “The Ring of Nibelungen” in 1876. In the same year, the Berlin Opera House and her booked a life-long contract and was hired as a royal singer. However, she was barred from performing on the German stage by the imperial authorities for not performing the contract and the engagement and for a long time abroad singing. In this way, she can only appear at the concert, and thus made her hold many famous solo recital. Later, the lifting of the ban, she performed in major European cities opera, until 1910 did not leave the stage. Died in Berlin in 1929. Lehman’s shows are widely known, and she has played 175 roles in 115 operas, including old, new, tragedy, and comedy, in opera alone. Sings almost all the famous St. Tan Tan and Chorus, Hundreds of Art Songs. Her performance, not only in the singing skills more complete understanding of the work and handling, among the famous singers is also very outstanding. After leaving the stage, she taught vocal music and taught many famous students. She wrote several books, including “Autobiography” and “How to Sing”, among which the latter is the most famous. The following “Singer’s Physiology” is a chapter from “How to Sing”.