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作为配合信息化观展方式转变的博物馆临场体验设计,客观上需要博物馆建筑与其展品之间建立更为直接和互动的联系。本文借由空间句法理论及其可视图解分析方法,对美国耶鲁大学英国艺术中心、纽约现代艺术博物馆扩建部分进行了展品布置与空间可视性关系的探讨,初步证明了空间结构及其可视性对编排展品的叙事主题有着重要的影响作用。研究结论将对弥合“容器”与展品之争,增强当代艺术博物馆设计的临场体验及特色给予一定的启发。
As a result of the museum’s live experience design changing with the way of informatization, objectively, it is necessary to establish a more direct and interactive relationship between the museum building and its exhibits. In this paper, spatial syntactic theory and its visual graphic analysis method are used to discuss the relationship between the arrangement of exhibits and the spatial visibility of the expansion of the British Art Center at Yale University in New York and the Museum of Modern Art in New York. The preliminary proof is that spatial structure and its visualization Sexuality plays an important role in the narrative theme of arranging exhibits. The conclusion of the study will give some inspiration to close the dispute between “container” and exhibits and enhance the design and experience of contemporary art museums.