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罗兰·巴特在《作者之死》中正式提出了著名的“作者死亡”的观念。作者之死不是一蹴而就的,它与主体性的消解和语言能指游戏的威胁分不开,它是时代的产物,也是西方文艺理论发展的必然结果。以作者的死亡来瓦解传统上作者与作品父与子关系的神话,来确立绝对自由的写作姿态和无限可能的阅读空间。本文从以下两个方面来探讨巴特的“作者之死”:作者如何死亡,是谁杀死了作者?作者死亡的意义何在?
Roland Barthes formally proposed the famous “author’s death” concept in The Author’s Death. The death of the author is not accomplished in a single step. It is inseparable from the subjectivity of the subjectivity and the threat of the language to the game. It is a product of the times and an inevitable result of the development of the Western literary theory. The death of the author to disintegrate the myth of the relationship between the traditional author and the father and the child of the work, to establish the absolute freedom of writing attitude and unlimited possible reading space. This article explores Bart’s “The Death of the Author” in two ways: How did the author die, who killed the author? What is the point of the author’s death?