本文从追溯清末以来的电影杂感开始,择取中国最早的三种代表性电影印刷文本,即1919至1920年《申报·自由谈》刊载的“影戏话”、1921至1922年顾肯夫等人创办的《影戏杂志》和1923年真光电影剧场出版的《赖婚》评论特刊,来考察探讨中国电影批评“公共空间”的开创问题及其不同于“五四”精英文化(《新青年》)的思想和社会文化价值。 This essay begins with a retrospective of film miscellaneous thoughts since the late Qing dynasty. It chooses the earliest three kinds of typographical texts in China, that is, “movie talk” published in “Declaration on Freedom and Freedom” 1919 to 1920, And the special issue of “Luan Marriage” published by Yinguang Movie Theater in 1923 to examine and discuss the pioneering problems of “China’s film criticism” and “public space” and its different from the “May 4th” elite culture (“New youth”) and social and cultural values.