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本文认为 ,著者把道教科仪音乐的形态、结构放在中国历史、中国道教史的背景下研究 ,因而视野广阔 ;放在中国文化、中国传统音乐的大环境里研究 ,因而底蕴深厚 ;放在中国传统审美的哲学的高度上研究 ,因而容易看到道教音乐深层次的思想。
This article argues that the author has studied the form and structure of Taoist music in the context of Chinese history and the history of Chinese Taoism and thus has a broad field of vision and is deeply rooted in the study of Chinese culture and the environment of traditional Chinese music. Chinese traditional aesthetic philosophy height study, which is easy to see the deep thought of Taoist music.