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刘知白(1915-2003)刘知白(1915-2003),号白云,晚号如莲老人等。安徽凤阳人。一九三三年考入苏州美专国画科,后拜顾彦平为师,潜心临摹顾氏“过云楼”藏历代名家剧迹。抗战期间流亡于西南诸省。一九四八年在广西全州提出“学时有他无我,化时有我无他”的画学思想并终生践行。其艺术上承宋元,下接明清,既继承传统精髓,又注重形式的创新,最终法古变今,创造了泼墨大写意山水画的新技法,成为中国画史上深具代表性的泼墨大家之一。出版有《中国近现代名家画集·刘知白》等。
Liu Zhibai (1915-2003) Liu Bibi (1915-2003), Baiyun, late number, such as lotus elders. Anhui Fengyang people. In 1933 was admitted to Suzhou, the United States painting department, after worshiping Yan Ping as a teacher, with great concentration to copy Gu “over the cloud floor ” Tibetan calendar masters. During the war of resistance in Southwest provinces. In 1948 he proposed in Guangxi Quanzhou that “there is no self in my school hours and there is no time for him in my school” and her life practice. The art inherited the Song and Yuan Dynasties, then under the Ming and Qing Dynasties, inheriting the essence of the traditional, but also focus on the form of innovation, eventually changing from ancient to ancient times, creating a new method of ink landscape painting, become representative of the Chinese painting in the ink one. He has published “Chinese Modern and Contemporary Masters Paintings · Liu Zhibai” and so on.