《兰亭序》真迹虽已不传,但自初唐以来,其复制品以各种形式流传于后世。《兰亭序》乃系于书圣王羲之名下的一件珍贵书迹,不但文章脍炙人口,书法更是精美绝伦,在中国书法史上具有至高无上的权威性。然而问题也恰恰在于《兰亭序》它既是历史文献又是书法经典的这一“双重身份”。作为历史文献如何去解读?作为书法经典 Though the “Lanting Preface” has not been transmitted yet, since the early Tang Dynasty, its replicas have been circulating in various forms in future generations. “Orchid Pavilion Preface” is a precious book under the name of Wang Xizhi. It not only enjoys popular articles, but also has exquisite calligraphy. It has the supreme authority in Chinese calligraphy history. However, the problem lies precisely in the Lanting Preface, which is both a “dual identity” of historical documents and calligraphic classics. As a historical document how to interpret? As a calligraphy classic