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本文以民间青花为出发点,着重阐述民间青花的装饰特色及其在现代陶艺中的运用。犹如中国画中“墨”在宣纸上的表现一样,民间青花既有其工整严谨的一面,又有其写意抒情的一面。因此,民间青花作为陶瓷艺术传统装饰中的一种,倍受历代陶瓷艺术家推崇。现代陶艺家在推陈出新的同时,亦不断为中国现代陶艺注入更多的民间原素,让现代陶艺具有更强烈的民族特色。
In this paper, the folk blue and white as the starting point, focusing on the folk blue and white decorative features and their use in modern pottery. Just as the performance of “ink” in Chinese painting is the same on the rice paper, the folk blue and white flower has both its solid and rigorous side and its lyricalistic side. Therefore, the folk blue and white as a traditional ceramic art decoration, much respected by ancient ceramic artists. While modern ceramic artisans bring forth new ideas, they also continuously inject more folk elements into modern Chinese ceramics and make modern ceramic arts have more intense national characteristics.