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艺术,开始由观念回归感觉,由头脑回到身体,由文本回到现场。“年轻的英国艺术家(”YBA,Young British Artists)几乎在世界范围内同时成为前卫艺术和时尚的代名词。山姆·泰勒-伍德便是这些著名艺术团体中的一员,她的作品《升天》(Ascension,2003)之中舞者头顶鸽子在死者躯体上跳踢踏舞,可以理解为对圣父、圣子和圣灵三位一体的隐喻。圣子和圣父穿上了现代人的西装,圣父在圣子的圣体上翩翩起舞,圣灵随着圣父的舞动飞离圣父,这是对传统观念的颠覆,体现了宗教和世俗的关系。
Art begins to return to the feeling of perception, back to the body by the mind, back to the scene by the text. Young British artists (Young British Artists, YBA) have become synonymous with avant-garde art and fashion almost everywhere in the world. Sam Taylor-Wood is one of these famous art groups. The pigeons on the heads of dancers in her work, Ascension (2003), tap and dance on the body of the deceased, The Holy Trinity metaphor. The Son and the Father put on modern suits, and the Father dances in the Eucharist, and the Holy Spirit departs from the Father as the Father moves, a subversion of the traditional notion of religion and secularism Relationship.