诗歌这一文学形式在中国文学史上可谓占据了“大半壁江山”。闻一多先生也曾有言:“从西周到宋,中国这大半部文学史,实质上只是一部诗史。”“词”与“诗”一样属于抒情性的文学样式,在宋代发展成为一代之文学,词人也日益致力于对词作的探讨、评说,词学批评日益发展。在众多的词评中,虽不乏独到的赏词观点,但多是评点性、妙悟式的,抑或是注重考证以补足词本事的松散自由的批评。真正意义上把词学批评作为一种相对独立的理论创造的则是王国维的《人 The literary form of poetry can be described as occupying a large part of the history of Chinese literature. Wen Yiduo also said: “From the Western Zhou Dynasty to the Song, most of China’s literary history is essentially only a history of poetry.” “” “” And “poem ” belongs to lyrical literary style , Developed into a generation of literature in the Song Dynasty, Ci people are also increasingly committed to the study of the word, commentary, word criticism is growing. Among the many word reviews, although there are many unique viewpoints, but mostly criticism, magical enlightenment, or focus on textual research to make up for loose loose criticism. The real sense of the word criticism as a relatively independent theory is created by Wang Guowei "people