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美国非裔作家赖特的代表作《土生子》标志着1940年代20世纪美国非裔文学的第二次高潮的到来,标志着“哈莱姆文艺复兴”之后的美国非裔文学向反抗白人压迫寻求平等身份的转向。赖特以其小说《土生子》猛烈抨击关国社会存在的种族压迫种族歧视,并通过象征主义的表现手法,成功塑造了别格这个新的黑人形象。《土生子》以生动的笔调探讨了作为一个黑人的滋味,很多人认为别格是表现黑人愤怒的最有影响力的象征性人物,它的名字Bigger是两个词big(大)和nigger(黑人)的组合,这代表了别格所要体现的止是典型的黑人形象。正如麦克斯指出的,别格只能如此,别无选择。别格作为一个形象,已经具有了象征的意味。
Native American writer Wright’s “Native Son” marks the second culmination of 20th-century American Afro-American literature in the 1940s, marking the beginning of the second African American literature after “Harlem Renaissance” Oppression Seeks Equal Identity Turn. Wright, with his novel The Native Son, violently attacked the racially oppressive racial discrimination in the society of the Republic and succeeded in shaping the new Negro image of Biege through symbolic expressionism. “Native Son” explores in a vivid style the taste of being a Negro. Many consider Bieg to be the most influential symbolic character of black anger. Its name is Bigger, the two words big and nigger Blacks), which represents the typical Negro image that Bege wants to embody. As Max pointed out, this can only be the case, no choice. As an image, Biege already has the symbolic meaning.