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文章通过对《诗经·关雎》一诗释读的分析,来探讨儒家对文学文本的释义策略及其影响。作者认为,在《关雎》一诗中,通过认定作者和调整诗歌重心这两个策略,文本中原有的以男女情爱为中心的个人体验被置换成了道德训诫。儒家的这种对文本的控制,对文本释义权的控制,实际上决定了对进入体验的通道的控制,最终决定了对读者体验取向的控制。这一释义策略最终又影响了作者的创作倾向和批评态度。
By analyzing the interpretation of a poem in the Book of Songs, the article discusses the Confucian interpretation of the literary text and its influence. According to the author’s opinion, in the poem “Guan Yu”, the original personal experience centering on the love affair between men and women is replaced by moral admonition by recognizing the author and adjusting the focus of poetry. This kind of Confucian control over the text and the control over the right of interpretation of the text actually determines the control over the passage into the experience and finally determines the control over the reader’s experience orientation. This paraphrase tactics ultimately affect the author’s creative tendency and critical attitude.