自唐代以来,水墨山水画就代表着一种新生的力量,在历代文人画家的呵护下,成为山水画坛的主流。然而,山水画自诞生起便以一种独特的装饰风格出现在世人面前。我们可以从东晋画家顾恺之的人物画《洛神赋图》卷和《女史箴图》卷中的部分山水配景中可以领略到当时山水画的大致形貌,画山石只勾染无皴擦,画水多用线,树干与叶子也用勾染法,如扇形叶子的银杏树,有的画中甚至以夸张变形的手法处理树石,追求装饰趣 Since the Tang Dynasty, ink landscape painting represents a new generation of forces, under the care of ancient literati painters, landscape painting has become the mainstream. However, since the birth of landscape painting in a unique style of decoration appeared in the world. We can learn about the landscape of landscape painting from the landscape painting of “Luo Shen Fu Tu” and “Female History Proverbs” in the portrait painting of Gu Kaizhi, a painter in the Eastern Jin Dynasty. Multi-purpose lines, trunks and leaves also use the Gouzhe method, such as fan-shaped leaf ginkgo tree, and some even exaggerated the deformation of the painting approach tree stone, the pursuit of decorative interest