“幽灵”这一形象自古以来便在文学中占有一足。西班牙现当代作家哈维尔·马里亚斯笔下的幽灵并不流于捉神弄鬼的戏码。他的文学幽灵不是恐怖的鬼怪形象,而是作者或者主人公的一种精神依托之身,是他们渴望连通过去某个时代或某位故人的文学密码,是作者独特的文学构想。通过研究作者成名作《如此苍白的心》到近几年的力作《迷情》的创作的“第一次心跳”、自我虚构的叙事手法,揭示了幽灵在作者文学观里的独特重要地位。 “Ghost ” this image has occupied one foot in literature since ancient times. The ghost of the Spanish contemporary writer Javier Marias does not fall into the trap of fooling around. His literary ghost is not a horrible ghost image, but a spiritual supporter of the author or the protagonist. It is their own unique literary conception that they desire to communicate the literary code of a certain age or an enemy. By studying the famous masterpiece “such a pale heart” to “the first heartbeat” of the creation of the “fantasy” in recent years, the self-fictional narrative technique reveals the unique and important role of ghost in the literary view of the author .