纯用水墨不设颜色的山水画体称之为水墨山水,相传始于唐,成于宋,盛于元,明清两代又有所发展。作画讲究立意隽永、气韵生动,并形成了整套以水墨为主体的表现技法。其笔法系以勾斫、皴擦、点染为主导,长于结构和质感的表现。其墨法系以墨的浓淡干湿,泼破积烘为主导,有“水晕墨章”、“如兼五彩”的效果,长于体积和气韵的表现。在理论上强调有笔有墨,笔墨结合,以求达到变化超妙的境界。 Purely with no color ink painting called landscape painting body, according to legend began in Tang, Cheng Song, Sheng Yuan, Ming and Qing dynasties have developed. Painting stress meaningful meaning, vivid charm, and formed a set of ink as the main performance techniques. The strokes of the system to hook 斫, 皴 rub, dyed as the leading, longer than the structure and texture of the performance. The ink system is based on the ink wet and dry, splashed plot baking dominated, “water halo ink chapter ”, “such as and multicolored ” effect, longer than the volume and charm performance. In theory, it emphasizes pen and ink and pen and ink in order to achieve the superficial change.