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尽管青绿山水传统中国画较早成熟并在盛唐时期一度形成辉煌的风格样式,但随后水墨山水的勃兴致使青绿山水日渐寥落并淡出画史的舞台。而水墨山水画在发展过程中将中国文人传统的精神追求、人生情志与笔墨韵味密切地结合,使水墨山水在勾画自然山川物态的同时,又能通过绘画的形式融入个性与情感,由此获得了数百年来中国画的主导地位。青绿山水在这一背景下则过早地定格为山水画的一种古典形态,在此以后虽有钱选、
Although the traditional Chinese painting of Qinglv landscape was mature earlier and formed a glorious style in the Tang Dynasty, the flourishing of ink landscape led to the gradual decline and disappearance of the landscape of Qing Dynasty. In the course of its development, the landscape painting of ink and wash combines the traditional spiritual pursuit of Chinese literati, the emotion of life and the charm of ink and ink, so that the landscape of ink and wash can draw the personality and emotion through the form of painting while sketching the state of natural mountains and rivers. Won the dominant position of Chinese painting for centuries. Green landscape in this context is prematurely freeze landscape as a classical form, after which although the money selected,