从1966年文丘里(Robert Venturi)赞美建筑的矛盾性开始,“不连续性”的思想就成了后现代主义者有意识的一种战术。甚至在此以前的50年代晚期,波普艺术家(Pop Artists)诸如哈密尔敦(Richard Hamilton)和劳森伯格(Robert Rauschenberg)就使之成为他们的大杂烩诗歌的一部分。对于建筑师和理论家比如罗埃(Colin Rowe)来说,大杂烩具有多元化、文化自主等 Since Robert Venturi praised the contradiction of architecture in 1966, the idea of ​​“discontinuity” became a conscious tactic of postmodernists. Even in the late 1950s, Pop Artists such as Richard Hamilton and Robert Rauschenberg made it part of their hodgepodge poetry. For architects and theorists such as Colin Rowe, the hodgepodge has diversity, cultural autonomy, etc.