蒲松林的《聊斋志异》塑造了一群为众人熟知的狂人人物。这些人物成为小说中极具艺术成就的人物,这些狂人又和作者本人有着千丝万缕的联系。借助从某巴赫金的狂欢化理论,我们可以从一个新的角度对《聊斋志异》中的狂人进行解析,蒲松林将崇高与卑下,高雅与粗俗,悲剧因素与戏剧因素等巧妙地融为一体,打破了相互界限,跨越了不可融合的叙述鸿沟,使文本中的人物平等对话,民主自由,生动再现了狂欢小说的开放性和多义性。 Pu Songlin’s “Strange Tales” shaped a group of mad people known to everyone. These characters became the very artistic characters in the novels. These madmen are inextricably linked with the author himself. With the theory of carnivalization from a certain Bakhtin, we can analyze the madman in the novel “Strange Stares from a New Angle”, and Pu Songlin skillfully blends sublime and inferiority, elegance and vulgarity, tragedy and dramatic factors It breaks the boundary and crosses the incompatible narrative gap so that the characters in the text will have equal dialogue and democracy and freedom, vividly reproducing the openness and the ambiguity of carnival novels.