如果说康剑飞的早期作品更多的是对我们的生存环境发出质问和关注,那么在近期作品中所反映出的是作者内心矛盾与思绪所缠绕的趋向个人对所处生存空间的发问和无奈的宿命感。这种感受在《绝唱》、《那是谁》系列中表露无遗。这一时期的作品中内在情绪的流露,已经脱离了关注自然的情态,而是强烈质疑和反抗既有的生活秩序,试图捕捉潜藏在幸福表象后的个人悲剧,“虽然人们遵从了社会准则与普遍期待,但这注定是人生的最佳选择吗?” 人人都具有环绕着自己的社会矛盾和生存“难题”,而康剑飞通过个人式的体验,关注的是永存于世的人类精神和抗争命运的生命冲动,他用画面提供给我们的是浓缩的,又鲜活的生命血脉充填的人生,其中蕴涵着作者生命体验中的沉 If Kang Jian-fei’s early works are more of a question and concern for our living environment, what is reflected in the recent works is the tendency of the individual’s inner contradictions and thoughts to be entangled in his questions and helplessness in the living space Fate This feeling in “never sing”, “who is that” series revealed. The internal emotion in the works of this period has been divorced from the nature of nature, but strongly questioned and defied the existing order of life, trying to capture the personal tragedy hidden in the appearance of happiness, although “people follow the social norms and Generally expected, but this is bound to be the best choice for life? ”Everyone has its own social contradictions and survival of the problem", and Kang Jianfei through personal experience, is concerned about the human spirit and the struggle of the eternal The life impulse of fate, he uses the screen to provide us with condensed, fresh life filled with blood, which contains the author’s life experience of Shen