本文通过研究刘伟强在不同时期的电影的摄影造型风格,来表现不同时期刘伟强对于影片的不同理解。在不同时期中,刘伟强对于不同的影片的拍摄侧重点也不尽相同。早期侧重于新手法的尝试和现实主义的表现。中期的刘伟强开始渐渐注意在拍摄中镜头的组合。现在则侧重于镜头的节奏,视觉的冲击。 This article studies Liu Weiqiang’s different comprehension of the film by studying Liu Weiqiang’s cinematographic style at different periods. In different periods, Andrew Lau has different emphases on the filming of different films. Early attempts to focus on new tactics and realist performance. Liu Weiqiang mid-term began to gradually pay attention to the combination of shooting in the lens. Now focus on the rhythm of the lens, visual impact.