二十世纪,“大众”成为西方美学史上的核心概念,对西方美学的许多话题产生了重大影响。但是,这个意义集合体的演变却不是凝固的、一蹴而就的,而是一个不断流动的、发展的动态范畴。大众以往都是“以君主和英雄为主体的‘统治学’研究的一些副产品”。1亚里士多德最早描绘了大众的形象,但是他笔下的“大众”是反面的消极的,以暴力行事,与群氓无异,这中 In the twentieth century, “mass ” became the core concept in the history of western aesthetics, which had a significant impact on many topics of western aesthetics. However, the evolution of this collective meaning is not frozen, one by one, but a dynamic, dynamic development. In the past, the general public was “some of the by-products of the study of dominance, dominated by monarchs and heroes.” 1 Aristotle first portrayed the image of the general public, but his “mass” is negative negative, acts violently and is similar to gangster