艺术和宗教都是从人的知觉心理学出发,阐述通过知觉制造感觉的科学依据,从而营造出一种心理构造。作为意识层面的精神创造,艺术和宗教一直纠缠在一起,既相互促进又相互制约。本文旨在以米开朗基罗的宗教壁画《最后的审判》为例,在艺术的社会功能和对宗教的传播过程中发挥的作用进行一定的探索。 Both art and religion start from human perceptual psychology and set forth the scientific basis for creating sensations through perception, thereby creating a psychological construct. As a conscious creation of spirit, art and religion have been entangled with each other, promoting and restraining each other. This article aims to take Michelangelo’s religious mural “the Last Judgment” as an example, in the social function of the arts and the role of religion in the dissemination of a certain exploration.