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在艺术中,法与化是一对矛盾的统一体。所谓法,是指艺术创作的法则与规矩;所谓化,是指对艺术之法的突破与变化。清代大画家石涛在《变化章第三》中说:“凡事有经必有权,有法必有化。一知其经,即变其权;一知其法,即功于化。”对于习作者来说,宜先掌握艺术之法,有人认为艺术如同精灵,飘忽不定,无法则可言。这种观点太偏颇。康德认为艺术创作是没有规律的合规律性。我国古人也一再谈到创作应随心所欲不逾矩的问题。李白是位“无法”的大师,但他的成就同他师法前人分不开。对他影响最大的是楚辞和汉魏六朝乐府民歌。如他的被人称为“奇之又奇”,“自骚人以还,鲜有
In art, legalization is a contradictory unity. The so-called law refers to the rules and rules of artistic creation; so-called change means the breakthrough and change of the law of art. Shi Tao, a great painter in the Qing Dynasty, said in Article III of the Changing Chapter: “Everything has its own power and its law must be established. For the author, should grasp the law of art, some people think that art as a wizard, erratic, can not be at all. This view is too biased. Kant believes that the creation of art is not regular compliance. Our ancients also talked about the issue that creation should not exceed the limit. Li Bai is a ”no“ master, but his achievements are inseparable from his predecessors. The greatest impact on him is the Song of Songs and Han Wei Wei Liu Yue folk songs. As he was called ”strange and surprising“, ”since the singers return, rarely