艺术之思是无语言的,艺术之思是不容语言的,艺术评论或理论——假使评论家能真正理解作品的话,也只是对非语言化过程依然枯萎着艺术魅力之青,除非这种语言表述再造了一个审美的自然界,重新成为美的“伊甸园”,比如说诗歌艺术及一切文学艺术。但事实上,诗歌及一切语言艺术也同样必须在消解了语言本身之后才显示其自由的诗性,诗之语言无非是绘画之画布,雕塑之原料,音乐之琴瑟,它是非常的语言。 Artistic thinking is speechless, artistic thinking is nonverbal, and artistic criticism or theory - if critics can really understand the work, it is only a witness to the glamor of the non-linguistic process, unless the language The expression recreates an aesthetic nature and re-becomes the beautiful “Garden of Eden,” such as poetry and all literature and art. However, in fact, poetry and all language arts must also demonstrate their free poetic nature after digestion of the language itself. The language of poetry is nothing more than the canvas of painting, the raw material of sculpture, the instrument of music, and the very language.