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一九九三年意味着郑曙阳进入人生的不惑之年。内向沉稳、不苟言笑,有点近乎木纳的他,似乎整日只知埋头于图桌前忙于自己的那摊事,以至于大学期间被同学称为“机器人”。从本质来看,郑曙阳不属于那种天生聪慧、机敏过人的类型。甚至可以说他并不具备搞艺术、搞设计的“灵气”。但是在他的身上有一种韧劲,靠的是点滴的积累。靠的是持之以恒的努力。正是这种性格,使他特别能坐得住、钻得进。大家公认他是设计、绘图
1993 means Zheng Shuyang entered the life of the never-confused year. Inward calm, unsmiling, a bit almost na satisfied that he seemed to be busy all day, only to find himself buried in the table stalls, so that students were called by students during the University “robot.” In essence, Zheng Shuyang does not belong to the kind of natural intelligence, alert and extraordinary. He can even say that he does not have the “aura” to engage in art and design. But in his body there is a tenacity, by the accumulation of bit by bit. By the perseverance efforts. It is this character that makes him particularly well-seated and drilled. Everyone recognized him as a designer and a drawing