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作为一部当代著名的话剧,老舍先生的《茶馆》在国内外都赢得了广泛的赞誉。该戏剧中相对独立的三幕分别叙述了三个不同时期所发生在茶馆里的故事。而连接这三幕之间的“数来宝”这种特殊的曲艺形式更让人领略到了该剧的魅力。霍华和英若诚对于该剧都进行了翻译,译本也各有千秋。本文试对两译本中剧本后面“数来宝”的翻译在词义、句式、文化词以及隐性意思的显化方面等差异进行分析探究。
As a famous contemporary drama, Mr. Lao She’s “Tea House” has won widespread acclaim both at home and abroad. The relatively independent three scenes of the play narrate the stories that took place in the teahouse in three different periods respectively. The connection between these three acts “number to treasure ” This special form of folk art is more people appreciate the charm of the play. Howard and Ying Ruocheng for the drama have been translated, the translation also has its advantages and disadvantages. This paper attempts to analyze the differences between lexical, syntactic, cultural words and the explicitness of implicit meaning in the translators behind the scripts in the two versions.