从王僧虔到虞世南、孙过庭,到苏东坡、黄庭坚,以至于清代刘熙载,都崇尚书宗“性灵”。但是,在书法界还没有进入自觉阶段,“为展览而展览”的创作观在相当大的程度上带来了当代书法创作模式化、重复化、制作化的倾向。而李宗洪先生的草书作品,为我们倡导着“性灵”——取法高。作品以“文、雅”为审美取向,气息好,格调 From monks and nuns to Yu Shinan, Sun Chaotian, to Su Dongpo, Huang Tingjian, and even the Qing Dynasty, Liu Xizai, advocating Shuzong “spirituality ”. However, in the calligraphy field has not yet entered the conscious phase, “exhibition for the exhibition ” creation concept to a considerable extent, brought a contemporary calligraphy creation pattern, repetition, production tendency. The cursive works of Mr. Li Zonghong advocate “sexual spirit ” for us - take the legal method high. Works to “Wen, Ya ” for the aesthetic orientation, good atmosphere, style