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作为南昌首个国家级的非物质文化遗产项目,南昌瓷板画是江西特有的一种民间艺术,它是我国传统绘画与陶瓷艺术的完美结合,也是我国的艺术瑰宝和赣文化的代表。然而从1980年代至今,南昌瓷板画数度传出发展停滞、后继无人的危机。那么究竟南昌瓷板画保护与传承的现状怎样?其面临的困境及背后的原因是什么?如何才能突破当前的困境?本文试做如下探析。
As the first state-level intangible cultural heritage project in Nanchang, Nanchang porcelain-plate painting is a kind of folk art unique to Jiangxi. It is the perfect combination of traditional painting and ceramic art in our country, as well as the representative of our country’s art treasures and Gan culture. However, from the 1980s to the present, Nanchang porcelain painted several times the spread of the development of stagnation, the successor to the crisis. So what exactly is the status quo of the protection and inheritance of porcelain paintings in Nanchang? What are the reasons behind the plight and the reasons behind it? How can we break through the current predicament?