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隶书艺术发展到清代,开碑学之先声。众多的隶书名家通过借鉴金石学的成果,以师法汉代碑刻隶书为主要对象,从取法对象、审美、技法、工具都进行了深入的探讨和开拓。通过他们的共同努力,使八分书在清代产生了空前的繁荣,陈鸿寿就是其中代表书家。诸多的学者专家对清代隶书及陈鸿寿的篆刻艺术多有研究,但对陈鸿寿的隶书研究多停留在强调外因对其隶书的影响,对其隶书本体研究以及篆刻对其隶书的影响不是很多。本文重在研究陈鸿寿隶书艺术风格本体中产生的原因。
Lishu art development to the Qing Dynasty, a pioneer in learning. Many famous scripturers, through drawing lessons from the achievements of the petrology, and taking the official scriptures and the Han Dynasty inscriptions as the main objects, have conducted in-depth discussions and explorations on the objects of the law, the aesthetic techniques, and the tools. Through their joint efforts, Eighth Era made an unprecedented prosperity in the Qing Dynasty. Chen Hongshou was one of the representative book writers. Many experts and scholars of the Qing Dynasty official script and Chen Hongshou carving art more research, but Chen Hongshou’s study of the lingering more emphasis on the impact of external factors on its official script, the study of its official script on the scripture and its influence on the official script is not much. This article focuses on the causes of Chen Hongshou’s art style ontology.