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2008年5月12日汶川大地震发生后,围绕拯救意识、众志成城、大爱无疆这些主题迅速掀起抗震救灾的文学创作热潮。不仅诗歌、报告文学、小说、散文、音乐、美术、书法等艺术形式成为记录媒介,电影、广播、报纸、主题展览、晚会、互联网等也有力地加入了灾难记录的队伍。它们不仅具有直观性、时效性和信息量大的原有优势,同时还展示了豪情与悲壮的视听效果,感染力更强。
After Wenchuan Earthquake on May 12, 2008, the literary creation craze for earthquake relief was promptly set off on the themes of saving consciousness, making achievements together, and having great love. Not only have poetry, reportage, novels, essays, music, fine arts, calligraphy and other art forms become recording media, movies, radio, newspapers, themed exhibitions, evening parties, the Internet, etc. have also joined the ranks of disaster records. They not only have the original advantages of intuitive, timeliness and large amount of information, but also show pride and tragic audio-visual effects, more contagious.