在川端的作品中反映生活在社会下层的各类女性的不幸遭遇及爱情生活作品居多。在川端康成的创作中,占重要地位。在此类作品中川端康成塑造了一系列生活在社会底层的女性形象。她们既有云游八方、四海为家的艺人;也有沦落风尘、倍受摧残的妓女;还有身份卑微、受尽欺凌的侍者。构成了一幅日本二、三十年代下层女性生活的广阔画卷。可以说,下层女性群像,在川端康成的创作中占了相当重要的地位。对这些女性形象加以分析、研究,有助于全面了解和正确评价川端康成的 Kawabata’s work reflects the unfortunate encounter of various types of women living in the lower classes of society and the majority of works of love. In Kawabata Yasunari’s creation, occupies an important position. In such works Kawabata Yasunari shaped a series of female images living on the bottom of society. They have entertainers who are all around the country, all over the world, prostitutes who are degenerated and devastated, and humble and bullied waiters. Constitute a vast picture of the lower-class female life in Japan in the 1920s and 1930s. It can be said that the image of the lower female group, Kawabata Kangcheng’s creation accounted for a very important position. The analysis and study of these female images help to fully understand and correctly evaluate Kawabata Yasunari’s