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本文试以托纳多雷“西西里三部曲”之一的《天堂电影院》为分析对象,以海和广场为切入点,探索其中的“人—空间”关系的建构。
This paper tries to analyze the “Paradise Cinema”, one of Toni Dorei’s Sicilian Trilogy, and analyzes the construction of the “human-space” relationship by taking Haihe Square as an example.