1998年5月初。北兵马司青艺剧场。《三毛钱歌剧》连排刚结束,我急切地奔过去向陈颙祝贺。尽管演员没有化妆。布景、服装、道具杂用不少代替品,电脑字幕仍未到位,但我深受感染。多年的职业经验,使我透过大量的空缺和舞台假定,看到其中的激情、才智、深度、力度、历史感和现实感……谁能猜到这样热力四射的舞台演出竟然出自一位年近古稀的导 Early May 1998. North Army Masters Youth Art Theater. “San Mao money opera” row is over, I am eager to rush to Chen Cong congratulation. Although the actor has no makeup. Set, clothing, props miscellaneous many substitutes, computer subtitles are not yet in place, but I am deeply infected. Many years of professional experience have enabled me to see the passion, intelligence, depth, strength, sense of history and sense of reality through a large number of vacancies and stage assumptions ... Who can guess that such a thrilling stage performance actually comes from one Nearly ancient guide