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“剽学”是近几年为民间音乐理论研究发现的一种传统音乐传承现象,普遍存在于武当山一带的民俗音乐和道教音乐中。这种源于民间口头创作的术语,有别于“口传心授”的民间音乐传承,更有别于学校音乐教育。作为民间音乐的一种自发传承方式,它充实着人们的精神世界,体现了一种民间文化共性。本文试以民俗音乐活动中的民歌“剽学”现象与音乐的一种实践活动——音乐欣赏相互观照,并以该传承方式主体——“一般民众”的情感体验、审美体验为中心进行分析,期望对音乐欣赏有某些启示。
“Plagiarism ” is a phenomenon of traditional music inheritance discovered by the theory of folk music in recent years. It is commonly found in folk music and Taoist music in the Wudang Mountains. This kind of term originated from folk oral creation is different from the folk music inheritance of “oral tradition” and more different from school music education. As a spontaneous way of folk music, it enriches people’s spiritual world and embodies a common folk culture. This article tries to take folk songs in folk music activities as a practice practice of music, which is a kind of practical activity of music - mutual appreciation of music, and take the way of inheritance as the main body, the emotional experience of the general public, the aesthetic experience As the center of analysis, expect some appreciation for music appreciation.