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绘画是对客观物象进行内化后的具体呈现,这种呈现过程表现的其中一种方式便是绘画的再现。绘画再现,标榜着对于客体的描摹,基本呈现着客体的面貌,是主体真实感受的外物世界之状态。然而在这种再现过程中,却客观地存在着伪性的一面,客体、主体与本体呈现与表达的再现中,对于伪性的认识与客观评价,是在具象绘画中理论的一次深化,对于矛盾体不可分割的相互制约关系的理解。
Painting is a concrete manifestation of the internalization of objective objects. One of the ways this process of representation manifests itself is the reproduction of paintings. Painting reproduction, flaunting the description of the object, showing the basic appearance of the object, is the true feelings of the state of the object world. However, in this process of reproduction, there is an objective side of the pseudo-side. In the reproduction of presentation and expression of objects, subjects and ontologies, the understanding of subjective and objective evaluation is a deepening of the theory in figurative painting. The incompatibility of contradictions and the understanding of mutual restraint relations.