新时期以来我国政治经济及社会生活都发生了巨大变化,包括戏剧在内的文艺形式及题材也日益丰富,并由传统模式向现代化全面转型。然而这一过程不可忽视的一个显现即是疯癫形象的频繁出现,看似同“现代化”格格不入,实则却是对时代的深刻批判和重构。本文即以戏剧中的疯癫形象为研究对象,对其进行深入剖析,力求从疯癫形象中探求与时代变迁和社会价值取向相契合的精神传承和审美意蕴。 Since the new era, great changes have taken place in our country’s political, economic and social life. Literary and art forms and themes, including drama, have also been increasingly enriched, and the overall transformation from the traditional model to the modern one has taken place. However, a manifestation that can not be neglected in this process is the frequent appearance of crazy images, which seem to be incompatible with the “modernization.” In practice, however, it is a profound critique and reconstruction of the times. This dissertation takes the madness image in the drama as the research object, analyzes it in depth, and tries to explore the spiritual inheritance and the aesthetic implication fit with the change of the times and the social value orientation from the insane images.