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没有规矩,不成方圆。一个艺术门类的标准就是一种艺术活动应该怎么样、怎样才算好的规约,这种规约也是众人所认可和遵循的共识。在这个意义上,书法当代标准的有无、显隐就体现着当今有关书法的共识的强与弱,那么,书法当代标准也是在不断取得共识的过程中形成的。所以,求得“共识”也是今天探讨、建立当代书法标准的必要过程,正是在这个谋求共识的过程中,标准就不期然而形成了。谋求共识作为一种学术实践,是在不断的对话中进行的,它需要对话者敞开胸襟,悬置成见,以倾听的姿态投入到他人的思考中,在相互理解中展开拓展自身,把自己与他人、把艺术与社会联系起来。正是在这种氛围中,艺术才能真正实现其作为人类情感交流形式的根本目标。今天对于标准的讨论,也是在这一目标下展开的。
No rules, no standards. The standard of an art category is a kind of art activity should be like, what is a good statute, this statute is recognized and followed by consensus. In this sense, the contemporary standards of calligraphy, whether explicit or not, embody today’s strong and weak consensus on the calligraphy, then the contemporary standard of calligraphy is also formed in the process of consensus. Therefore, obtaining “consensus” is also a necessary process for exploring and establishing contemporary standards of calligraphy. It is precisely in this process of consensus-building that standards have not come into being yet. Seeking consensus as an academic practice is carried out through constant dialogue. It requires the interlocutors to open their minds, to suspense stereotypes, to listen to others’ thoughts, to expand themselves through mutual understanding, Others, the arts and society together. It is in this atmosphere that art can truly fulfill its fundamental goal as a form of human emotional exchange. The standard discussion today is also carried out under this goal.