马作为六畜之首,不仅与人类的日常活动息息相关,而且在历史的演进变革中发挥着重大作用。在中国绘画浩瀚的历史长河中,鞍马同样以其奔放英俊的外形为文人士大夫所好,涌现出了诸多彪炳史册的画马名家。马的形象出现在绘画中由来已久。魏晋时期顾恺之根据曹植文学作品所作《洛神赋图》,是较早有记载的带有马的形象的传世作品,画中马的形象已经具备中国鞍马画成熟的样式。此时鞍马绝大多数是根据画面需要,或者作为点缀、衬托人物而出现的,并未独立成科。张彦远在 As the first of the six domestic animals, horses are not only closely related to human daily activities, but also play an important role in the evolution of history. In the vast history of Chinese painting, the pommel horse is also used by literary men and women with its bold and unobtrusive appearance. Many famous and famous masters have emerged. The horse’s image appears in the painting for a long time. Gu Kai in the Wei and Jin Dynasties According to Cao Zhi’s literary works, “Luoshen Fu Tu” is an ancestral work recorded earlier with the image of a horse. The Chinese and horse images already have the mature style of Chinese saddle horse painting. At this time, the vast majority of pommel horse is based on the picture needs, or as embellishment, set off characters and appear, did not form an independent branch. Zhang Yan far