欣赏齐老画的虾,良久未敢伸手碰,怕沾湿了手,更恐湿淋淋地一滑它就跳走了。整幅画分明是在画“空白”,却把虾画活了。“飞白”与“留白”体现的是构图技巧,以白衬黑,以无衬有。无“无”无 To appreciate the old-fashioned shrimp, I didn’t dare to reach out for a long time, fearing that I had wet my hands, and fearing that it would slip away when wet. The whole picture is clearly drawing a “blank space”, but it has painted the shrimp. “Fly white” and “Leave white” reflect the composition skills, with white lining black and no lining. No “nothing”