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中国的油画史的开端可以追溯到16世纪。但更准确地说,中国油画从20世纪才正式起步。审美结构作为画家审美理念、文化修养以及艺术风格的综合体现,它能预先确定画家视觉艺术创作的基本方式、格调和品位。当人们面对艺术大师的经典名作时,往往被作品中宏伟而富有张力的审美结构所征服而发出惊叹,这些经典作品尽管并不反映现代社会的人和事物,却依然能深深打动人心。由此可见,在艺术创作中,审美结构在不同时代、不同民族和不同题材的艺术创作中都很重要,因此,正如一位学者所说的那样,认真研究油画审美特性与油画艺术语言,这对中国油画的发展应该说是个十分重要的课题。在文学艺术的研究中,也有学者曾经提出伟大的作品要有“伟大的结构”(余秋雨语)等观点,亦即是从审美结构的角度对作品本身进行有效的探讨。
The history of Chinese oil painting dates back to the 16th century. But to be more exact, Chinese oil painting officially started from the 20th century. As a comprehensive reflection of the artist’s aesthetic ideas, cultural accomplishments and artistic styles, the aesthetic structure can pre-determine the basic mode, style and taste of the painter’s visual arts creation. When people face classic masterpieces of the masters of art, they often are marvelously conquered by the magnificent and tense aesthetic structures in their works. These classic works, though they do not reflect the people and things in modern society, still can deeply affect people’s hearts. Thus, in the artistic creation, the aesthetic structure is very important in the artistic creation of different ages, different nationalities and different themes. Therefore, as one scholar put it, earnestly studying the aesthetic characteristics of oil painting and the language of oil painting art, It is a very important issue for the development of Chinese oil painting. In the study of literature and art, some scholars have also proposed that great works should have the concept of “great structure” (Yu Qiuyu), that is, from the perspective of aesthetic structure, the work itself is effectively explored.