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八十年代的那些抽象而浪漫的观念正是被九十年代的消费愿望和物质追求所具体化的。八十年代康德的自由的“主体”变成了九十年代黑格尔式的“理性的诡计”拨弄下的“个人”。张暖昕正是将这一过程展开得淋漓尽致的电影人。她的敏锐让她能够在这两个时期投射时代的状态。
The abstract and romantic notions of the 1980s were precisely shaped by the desire for consumption and material pursuit of the nineties. The “subject” of Kant's freedom in the 1980s turned into the “individual” of the Hegelian “rational trick” in the 1990s. Zhang Xin Xin is exactly the process started most vivid movie people. Her sensitivity allowed her to project the state of the times in both periods.